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It was an amazing luxury to have that much time.”Lawrence admits she wasn’t a rehearsal person before making but says that the process made her the most “in tune” she’s ever been with a character. She’s truly committed to go as far as needed.”“I hate talking about acting because it’s so hard to talk about it without sounding like a douche,” Lawrence says in her ever-Lawrence way. I didn’t know if I’d be able to come out OK.”One moment during filming got so intense, Lawrence says, that she hyperventilated and dislocated a rib. “I have oxygen tubes in my nostrils, and Darren’s like, ‘It was out of focus; we’ve got to do it again.’ And I was just like, ‘Go fuck yourself.’ ”Wanting to protect Lawrence’s well-being amid that darkness, some of the crew assembled a “Kardashian tent” for the actress off set—a refuge where she could get away from the work and decompress with her chatty friends from reality TV.

Aronofsky describes Lawrence’s process during rehearsal as almost low-key—“She’s in a very Zen, peaceful gear”—and says she didn’t unleash the full arsenal of her performance until cameras were rolling.“It’s such a raw, natural talent she has,” he continues, with a touch of wonderment. But she says there were moments in that were unlike anything she’d experienced as a performer. “It was a tent that had pictures of the Kardashians and wrapped, stories began circulating that Lawrence and Aronofsky were an item.

It’s a warm evening in Los Angeles, and Lawrence and I are alongside a fire pit in the backyard of a Mediterranean-style home high in the hills, where the air smells of flowers, money, and the negligible carbon burned thoughtfully by electric cars. Trust me: There are actors who get paralyzed about ordering lunch in front of an interviewer for fear of saying the wrong thing. This is not to say she doesn’t worry about blowback or misinterpretation or the types of things she might say if she had another Old Grand-Dad, but she can be deliciously, admirably truthful.

Lawrence’s real home “broke” while she was away—a madcap story involving crystals and . “And I was like, ‘Please get rid of these; I don’t want people to come over here and think I’m a crystal person.’ ”“But everyone told me, ‘You can’t do that. You have to have the crystal lady who put them in move them. Lawrence praises Grande’s take as “spot-fucking-on”—even if she takes issue with the notion that she’s ever described herself as a “regular person.”“That’s what other people have said,” she says.

Kinsey was only looking at what people actually did; what ten years of Pornhub data allows us to do is look at what happens to sexual imagination when it is really liberated.

“She has no filter and will say anything out loud that comes to mind,” says Michelle Pfeiffer, one of Lawrence’s costars on , who calls her “wicked smart.”“I like how clear Jen is,” says Lawrence’s friend Emma Stone, who, as it turns out, was here at the house the night before.The film jarred me for days after I saw it, and I want——to see it again. but also works on an allegorical plane, too,” the soft-spoken director tells me in a New York City editing suite in early summer.I think it’s going to be the kind of film that people argue about at dinner parties for months, if not years. A celebrated director (] works as a truthful, realistic relationship movie . At the moment, only a handful of people have seen the film, and Aronofsky is cautious about saying anything revealing.“But for many people, now, in the streaming era, porn is a bigger part of their lives than sex.What Maureen asks us to do is consider the universe of porn on its own terms, as a kind of theater of sexual desire that lives almost separate from what people might want in the flesh.

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